Tampilkan postingan dengan label Teatro alla Scala. Tampilkan semua postingan
Tampilkan postingan dengan label Teatro alla Scala. Tampilkan semua postingan

Selasa, 23 Oktober 2012

La Bohéme, Teatro alla Scala, Milano 22. Oct 2012


LA BOHÈME
Giacomo Puccini

Teatro alla Scala, Milano 22. Oct 2012

DIRECTION TEAM
Conductor: Daniele Rustioni
Staging and sets: Franco Zeffirelli
Costumes: Piero Tosi

CAST
Rodolfo: Piotr Beczala
Schaunard: Massimo Cavalletti
Benoît: Domenico Colaianni
Mimì: Anna Netrebko
Marcello: Fabio Capitanucci
Colline: Marco Spotti
Alcindoro: Matteo Peirone
Musetta: Ellie Dehn
Parpignol: Cristiano Cremonini
Sergente dei doganieri: Ernesto Panariello
Un doganiere: Roberto Lorenzi
Un venditore ambulante: Marco Voleri

REPORT
The following report and photos have been sent to me by one of the Blog readers that has attended this show:

Yesterday I was in La Scala for Boheme with Anna: of course it was a big success, especially for her. She was surely the best singer of the evening, and in my opinion the best Mimì of everytime.

I met a person that attended Zeffirelli's La Boheme at La Scala with Karajan and Mirella Freni, and he told me that Anna is very close to Freni. This is an enormous compliment!.

There was a lot of young people and a lot of foreigners in the audience. In my box, for example, there were a Japanese guy and a young girl from New York, both came to Milan especially to attend La Boheme with Anna.

Her portrait of Mimì is perfect for Zeffirelli's production: very romantic, sweet and tender. Also vocally, Anna used a lot of sweet notes, mezza-voce high notes with a perfect control of the voice and a very very sweet and beautiful bright sound. It was almost a bel-canto performace. In any case, her voice is now so big and round, that also piano notes are big and overcome the orchestra. Not exactly the same for her colleagues....

The final act was incredible. Anna performace as singer and actress was so intense that the audiece was in a religious silence; Mimì was so real on the stage, she was magnetic and kept the complete attention on her.

At the first courtain call, she appeared moved; in the following instead she was very happy.

At the end of the performance I waited for her to take some photos and ask her for some autographs. See attached some photos. Anna was very kind and had a big patience because it was a lot of people; It was also a chinese girl who cried taking her photo with Anna because of the big emotion, and Anna embrassed her; and an old man that asked to Anna for a kiss and she was very kind with him: her heart is surely big, on the stage and out of it.

Unfortunatly next year Anna will not sing in Italy, italian theatres will loose a big opportunity and a big artist (probably the only one in opera actually).

PHOTOS
Anna Netrebko, La Bohème, Teatro alla Scala, Milano 22. Oct 2012
Anna Netrebko, La Bohème, Teatro alla Scala, Milano 22. Oct 2012
Anna Netrebko, La Bohème, Teatro alla Scala, Milano 22. Oct 2012
Anna Netrebko, La Bohème, Teatro alla Scala, Milano 22. Oct 2012

VIDEOCLIPS

Sabtu, 20 Oktober 2012

La Bohème, Teatro alla Scala, Milano 19. Oct 2012

LA BOHÈME
Giacomo Puccini

Teatro alla Scala, Milano 19. Oct 2012

DIRECTION TEAM
Conductor: Daniele Rustioni
Staging and sets: Franco Zeffirelli
Costumes: Piero Tosi

CAST
Rodolfo: Piotr Beczala
Schaunard: Massimo Cavalletti
Benoît: Domenico Colaianni
Mimì: Anna Netrebko*
Marcello: Fabio Capitanucci
Colline: Marco Spotti
Alcindoro: Matteo Peirone
Musetta: Ellie Dehn
Parpignol: Cristiano Cremonini
Sergente dei doganieri: Ernesto Panariello
Un doganiere: Roberto Lorenzi
Un venditore ambulante: Marco Voleri

REPORT
La Bohème, Teatro alla Scala, Milano 19. Oct 2012
By Herbert

Yesterday I attended the first of only two performances of La Bohème in Milan with Anna Netrebko as Mimi. This time I was not very lucky because I only got a bad (a very bad) ticket – in the second Galleria right below the roof. The seats were very uncomfortable and narrow: I had hardly any stage view and people in the Galleria are not even allowed to enter the main hall and the foyer of La Scala! I had to enter through a side door instead and climb up the narrow staircase. As far as comfort and hospitality is concerned La Scala is the complete opposite of, for example, the Royal Opera House in Covent Garden, where customers are treated very kindly. I don’t blame the staff of La Scala – I am sure they would be much nicer if they were allowed to be so, but obviously they have orders to separate those customers with cheap tickets from the others. So I am sorry, but I can’t recommend visiting the Scala (at least if you sit in the Galleria).

Of course I tried to get a better ticket yesterday afternoon, but I was told at the box office that the show was completely sold out. “The first night of Netrebko – IMPOSSIBLE! NO CHANCE!” They told me that at 9 a.m. already people began to line up for the last standing tickets which are sold right before the performance begins!

So my personal well-being was almost at the bottom – but still I enjoyed the evening very much. Although it was the well-known and almost ancient production of Franco Zeffirelli (costumes: Piero Tosi) which runs like a clockwork, but it was the cast which made it such an event. All singers were really good – on top, of course, Anna Netrebko and Piotr Beczala who got cheers during the scenes and especially at the end with many curtain calls - and a bouquet of roses for Anna.

After the show both of them were awaited by numbers of fans at the stage door, and they spent a lot of time for autographs and photos, before they walked with some friends across the “piazza” and went to a restaurant in the spectacular Galleria Vottorio Emanuele II.


La Bohème at La Scala: the old, the new and the flowers
By Giulia Bonelli

 «I remember I saw Otello, and the singer was so great that when he died and the curtain fell down I stopped to breath. All the audience was the same, and there was silence for at least two minutes: people just couldn’t do anything, they were shocked… and then there was a big shout. I think after that moment I understood: ‘Yes, I want to do that’.»

With these words Anna Netrebko during the Deutsche Grammophon documentary “The woman, The Voice” talked about her budding passion for opera. It was almost 10 years ago. Well, since then Anna did that: she moved the audience of all over the world with her performances, giving life to every single character she played.

And she did that on Friday night as well: after the final notes of the last act of Bohème at Teatro alla Scala in Milan, there were a few seconds of complete silence. A moment of pure emotion, just before a burning ovation that lasted more than 15 minutes.

The enthusiasm ranged from opera experts to young people: the 19th of October belonged to the fatidic “turn G”, where G stays for giovani (young) and La Scala opens its door to the new public with low cost tariffs for the season subscriptions.

This time it was a real stroke of luck for people under 30, to whom are usually reserved the second casts only: their discounted ticket valued a show with some of the leading singers in the world.

The old-fashioned staging and sets of Zeffirelli were dug up from the theatre archives: a bit dusty after all these years, but still worth with its charming bohèmienne garret.

What instead wasn’t old at all was the singing and acting: Piotr Beczala as Rodolfo and Anna Netrebko as Mimì gave the opera a fresh and new touch. Their unchallenged vocal skills and interpretational intensity made them a great team since their first scene together.

Both Che gelida manina and Sì mi chiamano Mimì got warm applauses, which were constantly triggered during the whole show and led to many curtain calls after the end of each act.

Also the rest of the cast kept up with these high standards: the sharp Musetta was beautifully played by the American soprano Ellie Dehn, while the Italians Fabio Capitanucci, Massimo Cavalletti and Marco Spotti perfectly fitted the roles of Marcello, Schaunard and Colline, Rodolfo’s shabby nice friends.

A Bohème full of vitality then, also thanks to the energetic baton of the 29-year-old conductor Daniele Rustioni.

And the same vitality was tangible at the stage doors, where a big group of fans was waiting for the artists: Piotr and Anna were easy going and friendly, and the diva didn’t seem too upset even when - believe it or not - a hawker florist snatched some roses out of her hands. Quite a weird ending for the haunting beauty who just played the flower seller Mimì, isn’t it?

PHOTOS
La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Herbert
La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Herbert
La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Herbert
La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Herbert
La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Herbert
Anna Netrebko. La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Giulia Bonelli
Anna Netrebko. La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Giulia Bonelli

Anna Netrebko. La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Giulia Bonelli
Anna Netrebko. La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Giulia Bonelli
Anna Netrebko. La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Herbert
Anna Netrebko. La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Herbert
Anna Netrebko and Piotr Beczala. La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Herbert
Anna Netrebko. La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Herbert
Anna Netrebko. La Bohème, Teatro alla Scala, Milano 19. Oct 2012. Photo: Herbert

Senin, 21 Mei 2012

Breaking News: Anna Netrebko steps in for Natalie Dessay in two performances of Manon at la Scala

Due to health reasons, Natalie Dessay has withdrawn from the performances of Massenet's Manon. The role of Manon Lescaut will be sung by Anna Netrebko on 19 and 22 June and by Ermonela Jaho on 25, 29 June and 2, 5, 7 July.

DIRECTION
Conductor | Fabio Luisi
Staging and costumes | Laurent Pelly
Sets | Chantal Thomas
Lights | Joël Adam
Choreography | Lionel Hoche

CAST
Manon Lescaut | Anna Netrebko (19, 22 June), Ermonela Jaho (25, 29 June; 2, 5, 7 July)
Poussette | Simona Mihai
Javotte | Louise Innes
Rosette | Brenda Patterson
Le Chevalier Des Grieux | Matthew Polenzani
Lescaut | Russell Braun
Le Comte Des Grieux | Jean-Philippe Lafont
Guillot de Morfontaine | Christophe Mortagne
De Brétigny | William Shimell

Kamis, 22 Desember 2011

BREAKING NEWS · Anna Netrebko cancels Don Giovanni in Milano on 23. Dec and Rossini's Stabat Mater in Moscow on 24. Dec 2011

Due to a sudden illness, Anna Netrebko has been forced to cancel her last two performances of the run of Mozart's Don Giovanni at the Teatro alla Scala in Milano on 20. and 23. Dec 2011 and Rossini's Stabat Mater at the Grand Hall of Moscow State Conservatory in Moscow on 24. Dec 2011.

Rossini's Stabat Mater concert at the Moscow State Conservatory in Moscow has been re-scheduled to 19. Feb 2012.
Rossini’s Stabat Mater, Grand Hall of Moscow State Conservatory, Moscow 19. Feb 2012 – Anna Netrebko (soprano), Erwin Schrott (bass-baritone), Elena Zhidkova (mezzo-soprano), Sergei Romanovsky (tenor); Novaya Rossiya State Symphony Orchestra, Claudio Vandelli

Jumat, 16 Desember 2011

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011


DON GIOVANNI
Wolfgang Amadeus Mozart

Teatro alla Scala, Milano 16. December 2011

New Teatro alla Scala Production
Running Time: 3 hours 15 minutes
Sung in Italian with electronic libretto in Italian, English

DIRECTION
Conductor: Daniel Barenboim
Staging: Robert Carsen
Sets: Michael Levine
Costumes: Brigitte Reiffenstuel
Lights: Robert Carsen and Peter Van Praet
Choreography: Philippe Giraudeau

CAST
Don Giovanni: Ildebrando D'Arcangelo
Il Commendatore: Kwangchul Youn
Donna Anna: Anna Netrebko
Don Ottavio: Giuseppe Filianoti
Donna Elvira: Barbara Frittoli
Leporello: Bryn Terfel
Zerlina: Anna Prohaska
Masetto: Štefan Kocán

SYNOPSIS
Synopsis in english

LIBRETTO
Libretto in Italian

PHOTOS
Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Photo: Anne-Laure

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Photo: Anne-Laure

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Bryn Terfel (Leporello), Barbara Frittoli (Donna Elvira), Ildebrando'D'Arcangelo (Don Giovanni), Anna Netrebko (Donna Anna), Giuseppe Filianoti (Don Ottavio), Stefan Kocan (Masetto). Photo: Anne-Laure

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko (Donna Anna). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Barbara Frittoli (Donna Elvira). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko (Donna Anna). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Bryn Terfel (Leporello). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Daniel Barenboim (Conductor). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Bryn Terfel (Leporello), Anna Netrebko (Donna Anna), Daniel Barenboim (Conductor), Barbara Frittoli (Donna Elvira). Photo: Anne-Laure

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Bryn Terfel (Leporello), Anna Netrebko (Donna Anna), Daniel Barenboim (Conductor). Photo: Anne-Laure

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko (Donna Anna). Photo: Anne-Laure

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Bryn terfel (Leporello), Anna Netrebko (Donna Anna), Daniel Barenboim (Conductor), Barbara Frittoli (Donna Elvira), Giuseppe Filianoti (Don Ottavio). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko (Donna Anna), Daniel Barenboim (Conductor). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko (Donna Anna). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko (Donna Anna), Daniel Barenboim (Conductor). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Bryn Terfel (Leporello), Anna Netrebko (Donna Anna). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Giuseppe Filianoti (Don Ottavio), Ildebrando D'Arcangelo (Don Giovanni), Anna Prohaska (Zerlina). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko (Donna Anna). Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Giuseppe Filianoti at the stage door. Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Bryn Terfel at the stage door. Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Bryn Terfel at the stage door. Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Ildebrando D'Arcangelo at the stage door. Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Ildebrando D'Arcangelo at the stage door. Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Barbara Frittoli at the stage door. Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko at the stage door. Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko at the stage door. Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko at the stage door. Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko at the stage door. Photo: Anne

Don Giovanni, Teatro alla Scala, Milano 16. Dec 2011. Anna Netrebko at the stage door. Photo: Anne

Rabu, 07 Desember 2011

Don Giovanni, Teatro alla Scala, Milano 7. Dec 2011

One of the biggest and most eagerly awaited operatic events of the year is the Teatro alla Scala's season opening, which traditionally takes place every year on 7. December.

This year, la Scala opens the 2011/2012 season with a new production of Mozart's masterpiece Don Giovanni, directed by Robert Carsen, conducted by the brand new Musical Director Daniel Barenboim and with a de-luxe stellar cast including Peter Mattei in the title role, Anna Netrebko as Donna Anna, Barbara Frittoli as Donna Elvira, Bryn Terfel as Leporello and Giuseppe Filianoti as Don Ottavio.

Anna Netrebko made her first performance at la Scala in a concert conducted by Valery Gergiev on 7. Mar 1998. She came back to the famous Milano's opera house on 4. and 5. Oct 2000 to sing the role of Natasha Rostova in Prokofiev's masterpiece War and Peace conducted by Valery Gergiev. Now, eleven years later, the Diva Assoluta del Mondo, returns to la Scala to open the 2011/2012 season, making her opera house role debut as Donna Anna in Mozart's Don Giovanni, one of her signature roles that has previously sung at the Mariinsky Theater, St. Petersburg (2002), Salzburger Festspiele in Salzburg (2002, 2003), Royal Opera House, London (2003), Concertgebouw, Amsterdam (2003), Wiener Staatsoper, Wien (2004), Met Tour to Japan, Kobe and Tokyo (2006), Royal Opera House, London (2007), Mariinsky Theater, St. Petersburg (2007) and Opernhaus Zürich, Zürich (2011).

DON GIOVANNI
Wolfgang Amadeus Mozart

Teatro alla Scala Milano 7. December 2011

New Teatro alla Scala Production
Running Time: 3 hours 15 minutes
Sung in Italian with electronic libretto in Italian, English

DIRECTION
Conductor: Daniel Barenboim
Staging: Robert Carsen
Sets: Michael Levine
Costumes: Brigitte Reiffenstuel
Lights: Robert Carsen and Peter Van Praet
Choreography: Philippe Giraudeau

CAST
Don Giovanni: Peter Mattei
Il Commendatore: Kwangchul Youn
Donna Anna: Anna Netrebko
Don Ottavio: Giuseppe Filianoti
Donna Elvira: Barbara Frittoli
Leporello: Bryn Terfel
Zerlina: Anna Prohaska
Masetto: Štefan Kocán

SYNOPSIS
Synopsis in english

LIBRETTO
Libretto in Italian

BROADCASTS
The Premiere on 7. Dec will be broadcasted live on TV (Rai5) and on the radio (Rai Radio3). Pre-recorded broadcasts will be replayed on Sky Classica (in clear), on Arte-ZDF, and on TV Kultura in Russia (live). The performance will be projected live in Milan on a big screen in the Galleria Vittorio Emanuele, in 3 theatres (Atir Teatro Ringhiera, Auditorium Cam zona 3 and Teatro della cooperativa), in the prisons of San Vittore and Bollate as well as in more than 500 cinemas in Italy and all over the world.

PRESS REVIEWS
"Depuis ses débuts en 2002 au Mariinsky de Saint-Pétersbourg puis au Festival de Salzbourg, la Donna Anna d'Anna Netrebko est superlative. La jeune Autrichienne possède tout : le physique, le charme et surtout ce métal chaud du timbre, l'aisance dans l'aigu, la puissance de projection, l'innombrable des nuances."
La Scala ouvre avec un "Don Giovanni" patelin | Marie-Aude Roux | Le Monde, 7. Dec 2011
"Some men say women talk too much, so they never listen. But when the hottest soprano in the world opens her mouth, even heads of state turn. Russian diva Anna Netrebko was met with a 10-minute standing ovation as she opened the season at La Scala."
Russian star meets famous seducer | RT, 8. Dec 2011
"Anna Netrebko, in the role of Donna Anna, was the star of the evening"
Mario Monti, Italian Premier, Attends La Scala Season Opener 'Don Giovanni' | The Huffington Post, 8. Dec 2011
"Anna Netrebko’s richly resonant voice is heard to seething effect in the accompanied recitative when Donna Anna recognizes Don Giovanni as her father’s killer, a powerful moment in a compelling portrayal."
At La Scala, a Buoyant Opening Amid Austerity | George Loomis | The New York Times, 9. Dec 2011
"Netrebko's Donna Anna was thrilling in her nobility and ease of execution. She is on grand form."
A tale of two Italian opera cities | Fionna Maddocks | The Guardian, 11. Dec 11 2011
"Anna Netrebko ha di Donna Anna la tinta lunare, il bellissimo legato"
Mozart giocoso e vero | Carla Moreni | Il Sole 24 Ore, 11. Dec 2011
"Anna Netrebko’s Donna Anna was a sumptuous, house-filling performance that points her in the direction of Butterfly and Tosca."
Don Giovanni, La Scala, Milan | Andrew Clark | Financial Times, 11. Dec 2011

VIDEOCLIPS




Senin, 05 Desember 2011

Don Giovanni, Preview for Young People, Teatro alla Scala, Milano 4. Dec 2011

Photo: Giulia Bonelli
The Preview for Young People of the new Robert Carsen's production of Mozart’s Don Giovanni, conducted by Daniel Barenboim and featuring a cast of stars, has been performed on 4. Decemebr 2011 at the Teatro alla Scala in Milano. The stellar cast, the same one that will open the Scala's 2011-2012 Season on 7. Dec 2011, included Peter Mattei (Don Giovanni), Anna Netrebko (Donna Anna), Giuseppe Filianoti (Don Ottavio), Barbara Frittoli (Donna Elvira) and Bryn Terfel (Leporello).

Anna Netrebko makes her role debut at la Scala as Donna Anna, one of her signature roles which has previously sung at the Mariinsky Theater, St. Petersburg (2002), Salzburger Festspiele in Salzburg (2002, 2003), Royal Opera House, London (2003), Concertgebouw, Amsterdam (2003), Wiener Staatsoper, Wien (2004), Met Tour to Japan, Kobe and Tokyo (2006), Royal Opera House, London (2007), Mariinsky Theater, St. Petersburg (2007) and Opernhaus Zürich, Zürich (2011).

DON GIOVANNI
Wolfgang Amadeus Mozart

Teatro alla Scala Milano 4. December 2011

New Teatro alla Scala Production
Running Time: 3 hours 15 minutes
Sung in Italian with electronic libretto in Italian, English

DIRECTION
Conductor: Daniel Barenboim
Staging: Robert Carsen
Sets: Michael Levine
Costumes: Brigitte Reiffenstuel
Lights: Robert Carsen and Peter Van Praet
Choreography: Philippe Giraudeau

CAST
Don Giovanni: Peter Mattei
Il Commendatore: Kwangchul Youn
Donna Anna: Anna Netrebko
Don Ottavio: Giuseppe Filianoti
Donna Elvira: Barbara Frittoli
Leporello: Bryn Terfel
Zerlina: Anna Prohaska
Masetto: Štefan Kocán

SYNOPSIS
Synopsis in english

BROADCASTS
The Premiere on 7. Dec will be broadcasted live on TV (Rai5) and on the radio (Rai Radio3). Pre-recorded broadcasts will be replayed on Sky Classica (in clear), on Arte-ZDF, and on TV Kultura in Russia (live). The performance will be projected live in Milan on a big screen in the Galleria Vittorio Emanuele, in 3 theatres (Atir Teatro Ringhiera, Auditorium Cam zona 3 and Teatro della cooperativa), in the prisons of San Vittore and Bollate as well as in more than 500 cinemas in Italy and all over the world.

REVIEWS
The following review has been kindly written for the Blog by the freelance journalist Giulia Bonelli.
Don Giovanni Preview at Teatro alla Scala
By Giulia Bonelli 
Watching for ten euros a cast of stars in one of the most famous theatres in the world: once a year, this is possible at La Scala of Milan. Yesterday, three days before the 2011/2012 season opening night, a preview was dedicated to young people under 30. 
Robert Carsen directed a new production of Mozart’s Don Giovanni, conducted by Daniel Barenboim and featuring some of the best opera celebrities. All the tickets were sold out one month ago in a few hours, with people queuing in front of the box office since the night before. A long-awaited event for young opera lovers, who could occupy the same seats costing up to 2000 euros in the occasion of the 7th December premiere 
The stalls invaded by young smiley faces were an unusual scenario: someone was smartly dressed up, someone was wearing jeans and t-shirts. But everybody was there for the same reason, enjoying a great opera with a great conductor and great singers. 
A few minutes before the beginning of the show the excitement was high. Then, a breathtaking scene: over the first thundering notes of the Overture, Don Giovanni (Peter Mattei) went up to the stage running from the public side and drew the curtain down with a sharp movement. A glittering mirror reflecting the theatre was thus revealed, with a kind of “show into the show” that continued for the whole performance. Don Giovanni was the only real director of this show. He magnetized all the other characters with his seductive power, which in Carsen’s intention was constantly addressed to the public. 
His first victim is, of course, Donna Anna, magnificently played by Anna Netrebko. Her hidden passion for Don Giovanni is made explicit since the beginning, and the Non sprear se non m’uccidi duet is actually an erotic exchange. 
If Donna Anna lives a suffered interior conflict, Donna Elvira (Barbara Frittoli) is consumed by an angry passion, talking both about revenge and desperation. 
All these feelings are made stronger by a scenography full of symbols, where the audience turns out to be part of the show orchestrated by Don Giovanni,“il dissoluto punito”, the punished dissolute that in the end may not be punished at all. 
Mozart expert Peter Mattei gave Don Giovanni strength and energy, while his beleaguered servant Leporello became comic in the excellent interpretation of bass-baritone Bryn Terfel
But the most touching performance was Anna Netrebko’s: she was able to show all the nuances of Donna Anna’s complex character, unifying a great singing with an elegant and moving acting. Her II act aria Non mi dir bell’idol mio got a very long ovation, which exploded in the final curtain calls.

PHOTOS
Check out also the Scala's website to see a collection of backstage photos from the rehearsals.

Don Giovanni - Preview for Young People, Teatro alla Scala, Milano 4. Dec 2011. Photo: Giulia Bonelli
Don Giovanni - Preview for Young People, Teatro alla Scala, Milano 4. Dec 2011. Photo: Giulia Bonelli
Don Giovanni - Preview for Young People, Teatro alla Scala, Milano 4. Dec 2011. Photo: Giulia Bonelli
VIDEOCLIPS